The FMOD Blog
Adaptive audio technology, techniques, the artists and their creations.
Using the FMOD Scatterer for music
Explore the FMOD Studio Scatterer with Romain Raynal as he describes how it is a tool that he frequently use for all sorts of applications in sound design, but discovers its potentional to unlock new possibilities with music.
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The Sonic Universe of Creaks
Creaks is the latest game from renowned Czech game developer, Amanita Design. Continuing with their familiar hand drawn 2D puzzle based adventures, the game has been a big hit with players. Once again sound design and music is an integral part of the playing experience. Intrigued to learn more about what goes on behind the scenes, we talked to the creative team responsible for the audio led by Sound designer Matouš Godik and composer Joe Acheson.
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Deep dive into the sound design and music of DARQ
Discover the atmospheric sound design and music of DARQ, the critically acclaimed game from Unfold Games. Go behind the scenes to learn all about the audio implementation powered by FMOD.
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Sound logic: Scruffy explains adaptive audio
Composer and artist Scruffy takes us on a visual tour through the levels of adaptive audio.
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Interview: The sound of Untitled Goose Game
Honk! Em Halberstadt and Nico Disseldorp discuss building a balanced soundscape.
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Using sound design to tell a story
Ritsu Mizutani and Vincent Diamante explain how audio shaped the experience of thatgamecompany's latest project.
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A creative vision for generative music
Explore the Finnish springtime with sound designer and composer Joonas Turner.
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Welcome to the FMOD Blog
A showcase for adaptive audio artists, their creations and techniques.
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